Aardman and Wieden+Kennedy London create world record breaking commercial for Nokia
Nokia and Aardman Animations have set another Guinness World Record for the ‘World’s Largest Stop-motion Animation Set’ with their follow up short film: Gulp, shot entirely on the Nokia N8, after having set a record for the ‘Smallest Stop-motion Animated Character’ last summer with Dot. As part of Nokia’s on-going campaign to bring amazing, authentic uses of mobile technology to life, Nokia has partnered with Aardman Animations and Wieden + Kennedy once again to create Gulp, a new animation filmed on the Nokia N8.
After their success with the ‘Smallest Stop-motion Animated Character’, Aardman creative team Sumo Science directors Will Studd and Ed Patterson were set with the task of going large with their next film for Nokia.
The film explores the life of a little fishing boat when the tide goes out. As the sea ebbs away oilskins and nets come to life manifesting a lone fisherman, out to find the catch of the day. When he sets off across the sea he encounters an ocean vista of waves, gulls, clouds and fish all created using giant sand animation, carved in the beach itself. As the fisherman hauls in his sandy catch he is swallowed by a huge sea monster. Trapped inside the beast’s cavernous stomach, he accidentally sets off a chain reaction and is catapulted back to the surface, too late to save his catch from escaping back into the ocean.
Shot entirely on the new Nokia N8 smartphone, Gulp showcases the smartphone’s Carl Zeiss optics and its 12-megapixel photography capabilities. Three phones elevated 36 meters above the ground on a cherry picker on a beach in South Wales, UK, shot a canvas of 42.71 meters x 24 meters creating the ‘World’s Largest Stop-motion Animation Set’. The phones were mounted in a custom built rig inside a specially designed Peli Box and operated remotely by the camera crew in order to capture the huge images.
Sand In Your Eye director Jamie Wardley, choreographed a team of sand artists and 30 art student volunteers to create gigantic sand drawings with precision timing that had to be smoothed over and re-drawn every 4 minutes to stay on the tight schedule dictated by the spring tide. The team were shooting up to 75 frames per day and each time the sand had to be raked over in order to create the individual drawings for each frame. The shoot lasted for seven days including one night’s shoot.
The huge set was made up of recognisable nautical objects, such as seaweed, ropes and nets. Aardman’s expert prop makers built a replica life-sized fishing boat that was light enough to carry around on set. Both a half boat and full boat were constructed for the different perspectives.
Heather Wright, Executive Producer on the project and Head of Aardman’s Commercials and Branded Content department was delighted with the follow up challenge. “Gulp is crazily ambitious. We’ve never done anything even approaching this enormous scale before and it’s a massive technical, logistical and artistic learning curve – once again! We’re working right at the edge of what’s possible in all areas,” says Wright.
Philip Hickey, Global Digital Marketing Manager Nokia, says, “We are extremely proud of Gulp and are delighted to have achieved yet another Guinness world record in film and animation. The creativity of Aardman Studios, coupled with the industry leading imaging capabilities of the Nokia N8 smartphone has resulted in a beautiful animation which will astonish all our advocates, fans and customers.”
Will Studd shared his experience of directing this ground breaking film, “The film was a huge test of planning and coordination with Mother Nature, we were incredibly lucky with conditions and tide times, sometimes we got our final frame for the day just as the waves crashed in around our set! Obviously the turnaround had to be so quick with such a short window, but working with the W + K team was fantastic as usual and we got everything we set out to achieve. The Nokia N8 stood up to the challenge and produced some outstanding images.”
Nokia and Aardman have been engaging fans by opening up the production process on blogging and social media sites, revealing the challenges and excitement of the shoot through photographs and behind the scenes video snippets.
Tom Seymour and David Bruno, Creatives at Wieden + Kennedy London said, “Attempting a Guinness world record was never going to be easy, especially the World’s Largest Stop-motion Animation Set’. But with the right team of people, the right technology and a little optimism how could we possibly fail? The Nokia N8 produced some amazingly detailed photographs, both day and night. The result is a charming short film with a fantastic production story”.

8 Comments
I bet that wasn’t made in a SHED – sorry Andrew couldn’t resisit…….
I know its Weidens’ and i know its Aarman and its world record and it’s from London…..but it’s also not that good. Good PR though.
Too big, too late:
http://www.brandrepublic.com/news/1083671/nokia-wieden-kennedy-split/
Not that good? Isn’t the point that this is a demo of what is possible on the N8 smartphone? Added to their previous ads, it makes a pretty good fist of showing what the camera is capable of. But regarding the PR, it’s a bloody long press release!
Geez, guys, let’s give the jaded rolling eyes a rest. Each of these pieces is a creative and production triumph and somebody needs to be sufficiently uncool to say so. I guess that’s me. Breathtaking and genuinely uplifting. (And the business separation is clearly a red, or perhaps sand, herring in this discussion.)
Disagree about the spilt being a red herring Ric,
W&K spent too long following their own agenda – as evidenced here- and took their eye of the ball with the functional/persuasive purpose of the ads. Nokia’s market share was collapsing disastrously even as they increased spending, which is not supposed to happen.
With respect 8.50, Nokia’s collapsing market share is due to Symbian’s woeful inability to offer the same functionality and customisation as Apple and Google’s respective offerings. Lack of innovation and functionality deficits at the consumer level is what has hurt companies like RIM and Nokia, far more so than any kind of internal ructions between the client and their agency.
I agree with Ric, this is a great example of communicating a product benefit in an engaging way and it demonstrates the quality of the phone’s camera beautifully. Unfortunately this cannot make up for Nokia being late to the innovation party when it comes to app developers supporting Symbian as a development platform. Another example of a former market leader trying to promote their way out of trouble as opposed to making fundamental changes to meet market demands.
12.25 -and you couldn’t spell it either ha ha. Anyway, we did the whole ‘this ad was shot on a…’ about ten years ago at Saatchi NZ. Check out Oliver Maisey and Nigel Richardson’s classic Cannes winning Cash Converters commercial. Shame on you Messer’s Weiden, Kennedy and Aardman.
http://www.youtube.com/watch?v=pDUIIl_OUuo